“On a good night, I may work on up to seven poems, each in a different stage toward completion. These drafts are stored in colored folders; finished poems go into a black spring-back binder.) Gradually, certain poems beg to be together. It’s like I can feel them searching for their tribe. When the specific gravity of certain poems becomes too much to bear, I start spreading poems them out on the floor. I walk among them, I talk to them: “Where do you want to be? Why are you sitting out there all alone — too good to fraternize, or are you shy, do you need someone to hold your hand?” I sing to them, listen for answers. It can get pretty crazy; I make sure no one sees me doing this, not even my husband.”